I haven't seen the original Prom Night, but from what I hear on The Internet, that doesn't matter, as aside from sharing a setting, an actor (as a different character), and the catchphrase "It's not who you come with; it's who takes you home," the two are completely unrelated. Prom Night 1 was apparently a straightforward slasher flick, fairly well respected in the genre and set for a remake in 2008. But I don't care about it.
In the world of 1980s horror, you were either a Jason man or a Freddy man. Unless you were a woman. I would count myself firmly among the Freddy camp. Prom Night 1, it would seem, was more of a Jason kind of movie, but Prom Night II: Electric Boogaloo is a rare case of a franchise changing teams mid-race (please pardon my mixed metaphors) and ripping off A Nightmare on Elm Street pretty directly with a supernatural villain and lots of surreal, dream-like sequences (though in this movie they're not dreams). Throw in a 1950s theme with appropriate soundtrack, a pinch of incest, and a dash of showering lesbians and you've got a recipe for wackiness.

Flash forward to the present (the '80s), where we meet Vicki, a moderately not-unattractive blonde girl with an unfortunate hairstyle and an overbearing mother who's all set to be queen o' this year's prom (Vicki, not her mother). Some boring stuff happens, and Vicki's classmate Josh, who is basically J.T. from Degrassi, is introduced, making a radio out of a potato and saying, "This moment will be inserted into the anals [sic] of science history, and I think we all know how painful that can be." Which should give you some idea of the comic sensibilities of this film. (Okay, I'm underselling it; there actually are some decent jokes in the movie.)

For some reason that I either missed or they just didn't bother to tell me, Vicki goes down into a spooky basement or something in the school... oh yeah, I think she's trying to find a prom dress because her mother won't let her buy one, and I guess they keep dresses in the school basement. Whatever, it doesn't matter. The point is she finds a mysterious chest and opens it. Little does she know that she's freeing Mary Lou's soul! Which was sealed in the chest for some reason, along with the official prom queen tiara and cape, which Vicki takes.
Next we get a bit of melodrama as Vicki's even-more-unfortunately-coiffed friend Jess reveals... very... slowly... that some guy impregnated her and won't call her back. Fortunately she won't have to worry about this for long. We're about twenty-five minutes in and it's time for the first official murder! (Mary Lou's origin story doesn't count.)
Jess fiddles with the tiara, which pisses off the ghost and all hell breaks loose. By which I mean some bags of shredded paper burst open and some paint falls off the shelf. Then the prom queen cape attacks her and drags her toward a paper cutter. You wouldn't be faulted for thinking she's about to get her head chopped off... but no! It's the classic misdirect, and she actually just ends up hanged by the cape instead. Oh, and then after she's dead, she gets thrown out the window for good measure.
Naturally everyone assumes that Jess killed herself and then threw her own corpse out the window, and some asshole priest uses her funeral to espouse his views about violence in the media (what?). Vicki finds herself mysteriously drawn to Mary Lou's grave.

Meanwhile, the nerdy comic relief J.T. guy asks a girl out, which I guess is supposed to make us like his character more, or maybe just remind us that he's in the movie, because to be honest I had forgotten. Then Vicki gets brained with a volleyball, resulting in more creepy hallucinations with everyone calling her Mary Lou and the volleyball net turning into a big spiderweb that she gets caught in. Principal Bill hears her yelling "I'm not Mary Lou" and is disturbed, so he goes to the basement/dress storage room and somehow figures out that Mary Lou's soul escaped from the chest, though I don't know how he knew it was in there in the first place.

Well, that scene was pretty cool, but by this time the film's leisurely pace is starting to wear thin and you just want her to finish getting possessed and start killing people already. There are some more scenes that don't really add up to much. The priest tries to warn Bill (his former classmate) that Mary Lou is back and that "she can't touch me; I'm a priest," but Bill should be careful and find Jesus, but Bill's not having it. Meanwhile, Vicki complains to her boyfriend about the inconveniences of being possessed, and the mean girl convinces J.T. to rig the prom queen election via computer in exchange for sexual favors.

The next day, Vicki's classmates are confused because she's dressing anachronistically and being sassier than usual. J.T. is the only one who correctly assumes that it's because she's possessed. When Vicki Lou's chemistry teacher Mr. Craven (groan) gropes her, she blows the hair out of her face, causing something to ignite the teacher's crotch.


Next there's a weird scene where J.T. takes a picture of Vicki Lou at the prom and asks her if she's seen Monica, and she turns into a burst of white light. I have no idea what that's about, but it doesn't seem to affect anything, and the next time we see any of those characters they're just going about their business as usual. So, just ignore it, I guess.

After the most awkward possible reading of the line "Ladies and gentlemen, we're gonna pick the prom queen now," Vicki is announced as the winner. The mean girl is dismayed, and a guy asks her, "How'd you blow it?" See, because she blew that dude, get it? Meanwhile, Bill's son has recovered from the shoe attack and shows up at the school. Also meanwhile, Bill himself is up on the rafter above the stage as Vicki Lou is coronated. Is he going to recreate the stink bomb stunt and burn this girl alive too? As it turns out, no... he just shoots her. Just as his son arrives! But it's too late. She's dead.
But not really! The dessicated corpse of Mary Lou bursts out of Vicki's body (I guess that's where she put it after she took it out of the grave) and everything starts getting all Carrie on us. Oh, by the way, mean girl is randomly impaled with a neon light, so don't worry, she got her comeuppance for being mildly rude. Mary Lou makes a bunch of lights and stuff explode, and I guess this gives her energy and restores her body to mostly non-dessicated status. It also gives her voice a lot of reverb.
Well, Mary Lou rampages a bit and eventually chases Bill's son down to the basement/wardrobe department, where the priest's corpse (how did it get there?) tells him he's in deep shit. Mary Lou pulls the classic "pretend to be a loved one" trick and impersonates Vicki, and Bill's son falls for it, the poor dope. It seems that if she can get him pulled into the chest (the one her soul was stored in, I mean, not her breasts), then... well, I was going to say that she'd be free, but she seems pretty free already, so I don't know what she's trying to do, but basically he's in danger of being sucked into the chest. But at the last second, Bill shows up, puts the tiara on her head, and kisses her. Then there are a lot of bright lights and a crazy tracking shot, and something explodes. The implication is that Bill and Mary Lou are gone, somewhere. Now Bill's son opens the chest and for some reason Vicki comes out of it, even though we saw her get shot and die and a creature burst out of her corpse earlier. I think what they're trying to say is that the real Vicki was in the chest ever since that blackboard scene, and everything since then was really just Mary Lou looking like Vicki, which I guess I can buy.
Anyway, when Vicki comes out of the chest, Bill's son asks her if she takes sugar in her coffee, and she says, "No, that stuff'll kill you." That's a callback to an earlier scene where they had coffee, but it doesn't make any more sense in context. It has nothing to do with the current scene and is really lame.

In conclusion, this isn't a very good movie, but for the most part it is at least entertaining, and has some pretty neat special effects set pieces. For me, cheesy horror movies like this live and die (no pun intended) on their creative death scenes, and this one delivers a few pretty decent ones, and it has a sense of humor without becoming a total parody of itself like the later Freddy movies. And if you're not into any of that, well, you can't go wrong with full frontal nudity.
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